Yes, I'm concerned about that. Any monopolistic behaviour worries me and should worry all politicians.
As part of my role, I looked into this very briefly and I believe that this institution, through its relationship with Evenko, receives a maximum of approximately 1% of funding that is allocated in this area. It's not huge, but it's still something. That's not an excuse, either.
The reality is that I'm more concerned about the artists than the producers. Of course, as you know, that organization produces Osheaga, the Festival international de jazz de Montréal and other big events, but in any analysis that we undertake at the department, we have to keep an eye on artists, especially those who are potentially exploited.