I didn't mention it, but I am actually a co-founder of the Festival de musique émergente, which was launched in my hometown, Rouyn-Noranda. I haven't been involved for the past three years, but I was responsible for this festival as a dedicated volunteer for over 20 years.
In my opinion, festivals in remote regions become incredibly important economic drivers for communities. They also become foundational projects in which many volunteers and people get involved in on their own. The FME had nearly 400 volunteers. I believe it's invaluable. It truly serves the common good. Regional festivals energize communities.
The FME was the most popular event, and I believe it remains the region's most important tourist attraction in terms of drawing international visitors. There were international programmers participating, but also many intra-regional tourists from Quebec and even Ontario.
Consequently, we need to protect these projects. They often rely on an army of volunteers and are fundamental to the community.
I believe the festive aspect of a festival really comes into its own when it takes place in a remote region or a small town, because people are there and can't go anywhere else. It really brings people together—not only the participating artists but also the audiences. Sometimes they have the chance to see internationally renowned artists perform on small stages and interact with them. It also helps nurture talent and support emerging artists.