When it comes to employment insurance, there's also the issue of income averaging. We know that artists spend long periods preparing their next productions or works. This is real, concrete work that does not necessarily allow them to hold another paid job. They go through periods when they have no income, precisely to work on their creations.
As part of our study, we're talking about all kinds of performance spaces. I also find it interesting that we are talking about digital performance spaces. One example is hybrid productions. Today we are hearing from people from the Société des arts technologiques, who have a very interesting offer in terms of physical, digital and hybrid productions.
However, are performing artists concerned about the role that digital technology plays in the dissemination of culture?
Is this an issue that you see emerging?