Thank you.
Good afternoon. My name is Ferne Downey. I'm a professional actor and the elected national president of the Alliance of Canadian Cinema, Television and Radio Artists. I'm joined by my colleague Stephen Waddell, who is ACTRA's national executive director. Thank you for inviting us here today to bring you the concerns of the 21,000 members of ACTRA who live and work in every corner of our country.
We are English-speaking workers and artists whose performances entertain, educate, and inform Canadians and global audiences through every medium—film, television, radio, and digital media. Canadian culture stimulates our economy, contributing more than $85 billion. That's 7.4% of Canada's real gross domestic product and more than 1.1 million jobs. Our Canadian film and television production industry puts $776 million in salaries and benefits directly into the pockets of Canadian workers and added $5.2 billion to our economy last year.
However, as is the case with many cultural workers who are self-employed, our ability to access benefits available to other salaried Canadians is very limited. The majority of ACTRA's members are among the 2.6 million Canadians who are self-employed and therefore have not been entitled to basic benefits provided through employment insurance. ACTRA has been fighting for many decades to get governments at all levels to recognize that our members, like all self-employed Canadians, deserve the same rights and access to benefits as other workers.
Allow me to describe for you for a minute what happens when our members fall outside this important social safety net. Women stunt performers often stop working once they show signs of pregnancy, which in many cases is well before the three-month mark. Their loss of income for the duration of the pregnancy can cause great financial hardship for their family. In other physically demanding professions such as being a police officer or a firefighter, you just get a desk job while you're pregnant, but no such option exists for stunt performers.
No access to sick leave means actors stay working on a TV series, concealing health problems and putting their health at risk, rather than take time without income; or an actor with a 30-year career finds himself in treatment for cancer, an undeniably stressful situation, with no income.
No compassionate leave means that caring for loved ones, especially at the end of their days, is simply not possible.
For actors, a long run in a series can be followed by a dry spell of equal length. Actors whose names are revered in the world of television and film may continue to supplement their incomes by equally lucrative careers...as caterers.
Living close to the edge year in and year out takes its toll. Truth be told, if it weren't for those incredible moments that occasionally grace the life of an artist, there would be no artists at all.
All we ask for today is to be given a footing equal to other Canadian workers.
I now turn to ACTRA's national executive director, Stephen Waddell, for some details on how one could improve Canada's EI system.