Members of the committee, ladies and gentlemen, my name is Fred Roberts, and I am the president of the Fredric Roberts Foundation, which funds and operates the Fredric Roberts Photography Workshops.
In March 2000, after more than 30 years in the finance business, I retired. Not knowing how I would spend the rest of my life, I recalled the positive reaction to some photographs I had taken in 1986 on an extended trip to Asia. Although I had not touched a camera in over 14 years, I decided to take some photography workshops to see if I was actually any good.
Four years later, I was approached by a prominent art gallery to do an exhibit and a publisher to do a book, which won several awards. This was followed by two more books and more gallery shows, more awards and several museum exhibits.
My photographs are primarily environmental portraits of villagers in third world countries who have very rich lives that are not defined by monetary wealth. I loved my new work. I loved the message, and I loved the process of travelling the world and being with these people. Strangely, though, after about 10 years I felt less fulfilled.
Then in 2011, I set up what has become my new life, a series of photographic workshops for third world high school students. This program is patterned after another initiative which I built in Los Angeles for high school students gifted in the arts, The Music Center's spotlight awards. Spotlight is now 30 years old and has had more than 70,000 participants whose lives have been changed by the program.
The photography workshops are far smaller and more intimate but no less powerful. To build the photography workshops, I recruited a remarkable and unique faculty, created a curriculum, purchased professional-level cameras and computers and established relationships with NGOs around the world.
In partnership with these NGOs, we offer an eight-day workshop of professional-level photography instruction to 20 students at a time, ages 14 to 17, half of them boys and the other half girls, half city and half rural, who have never before touched a camera. In addition to teaching them how to use these cameras exclusively on manual mode, we teach them to tell important stories in their communities. It gives them a voice and permanently empowers them.
At the conclusion of each workshop we leave behind cameras and software so the students can continue their work. In addition, we have created an online community for them to receive assignments and to submit their photos for further education.
We then return within 18 to 24 months to give advanced training to previous students and have them join us as teaching assistants as we instruct a new class of 20 beginners. They go on to become teachers, photographers, photojournalists, social activists, doctors, lawyers or whatever they want to be, now armed with a new skill and a new language. Their work is really quite remarkable, as I think you will soon see.
While these workshops are nominally about photography, they are actually about far more. They are about self-expression, self-fulfilment, self-confidence, empowerment, vision and a profound sense of accomplishment, often for the first time in their lives. Superficially, the students learn the skill of photography. At the very least, it's a form of vocational training, but it is far more.
The fact is that the students create both art and powerful messages, giving them the ability to see the world in new ways and to create real social change. It comes from within them. We use photography as a catalyst to help them open their minds and release their “genies”. As I often tell students on the first day of the workshops, this is not an art class.
To the point of this committee, we have recently conducted workshops in first world settings, specifically in Lisbon and Toronto and soon in Athens, teaching students who are recent immigrants and refugees. They have come from such locations as Syria, Afghanistan, Pakistan, Nepal and African nations, among others. Similar to our traditional workshop participants, the students often don't speak English. We teach them through translators. The results are remarkable. The changes in our students are profound
While it is critical to give new arrivals the basic skills they need to survive, I believe we also need to give them the foundation for a higher vision of life, not just survival, but a sense of creative freedom and the confidence to change their communities and the world. It lights their way to a better path and a better future.
Can it be done? Will the efforts of a small organization like ours or a powerful government like yours actually change the outcomes for these young people?
I would now like to show you an example of actual results. The images you are about to see—a short piece of photojournalism shot in Toronto—were photographed by our students. These are their ideas and their images. I want you to remember, as you see their work, that this is the result of less than one week of instruction to young people who had never before touched a camera.
Thank you.
[Video presentation]