I'm not an authority on copyright inherent in coding, but I think what you said off the top, about music being business, is very salient for this committee. This committee might think of creators as belonging to the heritage committee, because that's where we proposed the creative component of our study, but every musician is a businessman, and now more than ever. The ranks of artist entrepreneurs are growing daily. Every song that is created by an artist entrepreneur is an innovation capable of commercialization. Rightfully, they are core stakeholders of ISED. I think that's an important point.
On June 12th, 2018. See this statement in context.