One answer to that—and this has more to do with the Copyright Board—is that currently SOCAN and Re:Sound can only go to the Copyright Board to establish rates. So even if we're able to negotiate directly with users and work out something that the users are happy with and we're happy with, it still actually needs to go to the Copyright Board. That would be one thing that could streamline things in terms of negotiations between users and musicians.
Currently as well, for equitable remuneration rights that we collect, the musicians don't have any right to negotiate. All they have the right to do is to collect the equitable remuneration afterwards. It's too bad that the act then takes away the value of that right that they get to collect after the fact—not negotiate, but collect after the fact—by putting in these exemptions that then reduce what they're getting that they never had a chance to negotiate in the first place.