Certainly the two exceptions that I talked about, the $1.25-million exemption and the definition of sound recording, contribute to that, because the use of music in audiovisual media is increasing. People are consuming music through YouTube, and increasingly through audiovisual means, rather than audio only.
If we are not able to collect royalties on that on behalf of musicians, whereas my friends over at SOCAN are able to do that on behalf of composers and publishers, then they will continue to see the increased collection of royalties on those uses, whereas we will not be able to.