I certainly am positive about Netflix because that's where Degrassi is broadcast now. Spotify, yes, has two methods of streaming, one of which incurs the value gap that has been talked about before.
I do want to say, though, that we have had some progress, and I think you've put your finger right on it. In the early days of peer-to-peer sharing, a lot of content was simply not available. That led to people saying, “If I can't get it legally, I'll get it any way I can.” That problem has largely been solved with the Netflixes and the Spotifys and technology around the world, so things are better. But there still is a problem. There are some relatively easy ways—I think Wendy has talked about them, and Erin may want to talk about some more—to really reinforce the value in the copyright by protecting against piracy. I think that's what you were driving at in your question when you asked what could be done so that the individual creators would get more.
I'll just quickly say how piracy hurts Degrassi. When there's piracy, Netflix has fewer people watching Degrassi because there are a lot of people who view it illegally. That means they make less money. That means that when it comes time to renegotiate the licence fee, they don't give us as much as we could be receiving. When I say “we”, it's not just the producers. It's everyone in the value chain who we represent, because it all trickles down. It's a wonderful export opportunity, and strengthening the copyright and entering these provisions that have been talked about will really help to do that.