I think that's consistent with the comments of Shaw.
I think just speaking at a very high level, there are myriad commercial relationships between artists and the different enterprises for whom they are producing content. At one level, it appears very simple to advocate the introduction of a new right to add to artists' income. We had some discussions about the sound recording right, and soundtracks, and it seemed like a simple fix. It's not really a simple fix. It would unsettle the broadcast industry in Canada and it would have impacts on the broadcasting system to do that in terms of cost. There are also direct relationships between the artist, in that case, and the producers of the recordings they're making.
So at a high level, it seems as though there may be simple fixes in copyright by creating new rights, but when you drill down on it, as David said and as we said, there's a very complex framework at both the public policy level and the commercial level.
From our perspective as a regulated broadcast distributor, we believe we make incredibly important contributions to the broadcasting system. As a telecom provider, we believe we meet public policy objectives. All of this comes together to help Canadian artists. Unfortunately, copyright isn't a terrific mechanism, from a national perspective, in terms of executing domestic cultural policy.