Again, as I said to Ms. Caesar-Chavannes, it's about the line between a movement—and I used the example of jazz hands—and an actual complete work of art with a recognized author attached to it.
I'm not necessarily saying we need to copyright individual movements and give royalties to individual movements, but there needs to be a recognition of—particularly in the case of Canadians—the work that they're doing. If their work is being appropriated, I'm not saying that they need to necessarily be paid for that, but they need to be acknowledged as being involved in part of this creation. As was mentioned in The Guardian, artists borrow from artists all the time, that's the nature of creativity.