Thank you, Mr. Chair, and thank you to all the witnesses.
I will let you know that I will be sharing my time with MP Longfield.
I'm going to start with the Screen Composers Guild of Canada. Mr. Novotny or Mr. Posner—either of you could answer this question. This goes back to the testimony you provided in front of the House of Commons Standing Committee on Canadian Heritage, on September 25.
You brought up SOCAN, and you stated that SOCAN was unable to “get behind those closed doors of Netflix” and that Netflix would not be able to “give them the data they need in order for them to properly tabulate the views and turn them into a proper remuneration model”. You made similar comments about YouTube. You touched on both Netflix and YouTube in this testimony.
Can you tell us exactly what type of data needs to be collected from these two organizations to be able to fairly compensate? The numbers you are talking about—what they are going to hit by the middle of this year, compared to where they were last year—are astronomical. What data do you need to be able to make sure you get your fair share?