Those elements are not included in the 65%. It’s an interesting solution to explore.
However, I still want to clarify the reasons that would support a quota of 40%.
If we compare the quotas internationally, we find no language quota that high anywhere in the world. Our current quota of 65% is 62.5% higher than the second-highest quota in the world, which is that of France. We are very far from the quotas imposed internationally.
In 2015, French‑language broadcasters conducted a study with 2,029 French‑speaking respondents from Quebec. They were asked what percentage of francophone music their ideal radio station would play. The result was 34% among respondents aged 16 to 44, and 43% for all respondents, including those aged 55 and older.
The quota of 65% is therefore much too far removed from the actual needs and interests of our listeners at this time, especially when considering the music consumption of Quebeckers on online platforms. Right now, we mustn’t kid ourselves. When our listeners leave French radio and move to foreign platforms, they’re exposed to less than 5% of Quebec music. That’s what’s happening right now.
It is essential to give broadcasters more flexibility to allow us to be more in tune with the tastes and needs of listeners.
