Not to our knowledge. Obviously, this takes on a new significance in our current economic environment. This link between French music quotas and the decline in listeners is an old argument that we have often heard and on which we have rarely agreed in front of the CRTC.
For us, that’s not the explanation. It’s a global trend, as Ms. Paré explained, related to structural transformations, the explosion of cultural consumption practices and competition from platforms. We cannot relate this to the French-language music quota.