Mr. Speaker, I rise today to speak to the amendment to Bill C-20, put forward by my party to delete section 7, which would remove the defence of artistic merit from the child pornography legislation, draft Bill C-20 before the House.
I start by saying the New Democrats and certainly myself are extremely concerned about child pornography and want to see it eradicated from the face of the earth. As parents, as artists, as parliamentarians, we all believe that we need to find many new mechanisms to ensure that child pornography cannot exist and that it gets no sustenance in this society. We believe there is a lot of good in Bill C-20 and some real progress is being made here.
I want to make that point because it is important to make it right off the bat. We are trying to change a bill which is ostensibly about protecting children. To oppose parts of it does not mean we do not want to protect children. Of course we want to protect children.
We want to talk about the fact that clause 7 weakens the whole bill. It weakens the ability to work against child pornographers. We heard witness after witness who came before the committee, from the Toronto Police Association to the B.C. Civil Liberties Association, to the Canadian Conference of the Arts to the Canadian Bar Association, indicate that clause 7 was problematic because the language that was used was vague and contradictory.
We do not want that kind of statement or those concerns when we talk about legislation which judges then have to interpret and which police on the street have to interpret and make snap decisions about whether they can take something to court and win. We want to make clear that the defence of public good at this point in time is not clear enough to be of any good in the fight against child pornography.
There are three reasons why clause 7 should be removed from the bill. One is that it does not, in our estimation, in any way further protect children from child pornographers. The law as it stands already criminalizes possessing and distributing child pornography. During the justice committee hearings on Bill C-20, many people brought up the silence around child abuse and how important it was not to return to the time when children and adult survivors of abuse could not talk about it. I want to read a letter from Ian Murray of Current Projects. He said:
The desire to punish those who would bring the abuse of minors to the public view while ignoring the actual victimization of children is a pattern I saw often growing up in the Catholic Church in Nova Scotia, working with abused youth in the Arctic and working as an artist and teacher.
Censorship, like abuse of minors, is an abuse of human rights. It is part of the same power relationship. You are following the pattern of the abuser who says “telling is a sin” while using the silence to continue the abuse.
It would be far more helpful to the protection of children to concentrate on the prosecution of people who abuse minors and those who silence the victims rather than suppressing information about abuse, which is what this law does.
I note that a number of institutions that are currently being sued for or found guilty of aiding and abetting criminal sexual abuse of children, including many churches, schools and the Government of Canada, support this law. Those who have exposed the sexual abuse of children through stories, pictures, plays, film, video, comedy, television programs and songs oppose this law. That should tell us what side the silencers are on. The vicious abuse of children at Mount Cashel is a perfect example of the power of the state and the church working together to silence victims.
As a society we need to deal with the power relations that lead to sexual abuse of minors. We need to talk about it and expose those images and confront the abusers. This law, at the present time with this section in it, makes this illegal.
I would like to move to a second reason why we think it is important that we make an amendment to Bill C-20 and remove section 7, and that is for the protection of artists.
The new defence of public good is too vague and unproven. It would take years of jurisprudence from the courts to decide exactly how to apply this defence in relation to child porn laws. It would literally take years to try to puzzle through it. Will museums be prosecuted for holding classic works of art that depict children in sexual acts? Will libraries, which protect the rights of Canadians to read any and all kinds of literature, have to clear the stacks of any books that might suggest teenagers had sex with adults? This is a slippery slope. Judges and courts should not decide what is for the public good, just as they should not be deciding what has artistic merit.
The third reason why we cannot support this clause in the bill is that it is too vague and leaves both the courts and the police wondering exactly how to prosecute someone and who they can protect.
I want to quote what Detective Sergeant Paul Gillespie of the Toronto Police Service said when he came before the justice committee meeting on October 7. He said:
We've seen what happens when police are left to define what is or isn't artistic merit. We'll be fighting about this one for years. Police would simply appreciate laws that are very clear and that will allow us to make better informed decisions at the time we are required to make them. Wording that is very open to speculation and suggestion and not quite clear makes it very difficult for officers to understand exactly what they're supposed to be doing. I can tell you from experience that when officers aren't quite sure of the wording, they don't do anything.
The Canadian Bar Association, representing over 38,000 lawyers in Canada, also found section 7 vague and contradictory. As written, it says the intentions of an accused are both relevant and irrelevant. Its brief to the committee warned this inconsistency may actually attract constitutional scrutiny and should be redressed.
I want to just say something about what I think is a question on everybody's mind or sits beneath all of this debate. That question is: what is the difference between art and pornography? With respect, I believe that one can tell the difference. I do not believe it is quite as murky as some might believe.
I believe pornography sensationalizes and glorifies. It seeks to deny the truth of what it purports to represent in favour of fantasy or fabrication. Art, on the other hand, seeks truth. Even when art is not a literal depiction of everyday reality, even when it employs fantastical imagery or ideas, it aims to hold up a mirror in which people can see their everyday lives, their emotions and their aspirations reflected. Any legislation in this area should reflect that critical essence of what art is.
Members from the Alliance have already complained about the courts deciding legislation around same sex marriages. Clause 7 would make law the responsibility of the courts to decide how far a bill extends. That is not the role of our judiciary; it is our role as legislators.
In conclusion, we in the New Democratic Party feel section 7 of Bill C-20 is too vague and contradictory and it clearly does not serve the people who are on the streets trying to fight child pornography. It does not serve children. It does not serve the artists and people in the country who have a deep need to express the damage done to them through sexual abuse and violence at the hands of adults.
There are many areas of Bill C-20 that we want to support. It does extend protection for children and other vulnerable people. However, we cannot support treating all work that deals with children and sex as pornography.
It is important that survivors can speak or draw about their experiences without facing prosecution. It is important that artists can explore, not just the virtuous part of society but also its evil side.
The NDP hopes that the rest of the House will agree that section 7 needs more debate and fine tuning and that it should be removed from Bill C-20.