Copyright Modernization Act

An Act to amend the Copyright Act

This bill was last introduced in the 41st Parliament, 1st Session, which ended in September 2013.

Sponsor

Christian Paradis  Conservative

Status

This bill has received Royal Assent and is now law.

Summary

This is from the published bill.

This enactment amends the Copyright Act to
(a) update the rights and protections of copyright owners to better address the challenges and opportunities of the Internet, so as to be in line with international standards;
(b) clarify Internet service providers’ liability and make the enabling of online copyright infringement itself an infringement of copyright;
(c) permit businesses, educators and libraries to make greater use of copyright material in digital form;
(d) allow educators and students to make greater use of copyright material;
(e) permit certain uses of copyright material by consumers;
(f) give photographers the same rights as other creators;
(g) ensure that it remains technologically neutral; and
(h) mandate its review by Parliament every five years.

Elsewhere

All sorts of information on this bill is available at LEGISinfo, an excellent resource from the Library of Parliament. You can also read the full text of the bill.

Votes

June 18, 2012 Passed That the Bill be now read a third time and do pass.
May 15, 2012 Passed That Bill C-11, An Act to amend the Copyright Act, as amended, be concurred in at report stage with further amendments.
May 15, 2012 Failed That Bill C-11, in Clause 47, be amended by adding after line 15 on page 54 the following: “(3) The Board may, on application, make an order ( a) excluding from the application of section 41.1 a technological protection measure that protects a work, a performer’s performance fixed in a sound recording or a sound recording, or classes of them, or any class of such technological protection measures, having regard to the factors set out in paragraph (2)(a); or ( b) requiring the owner of the copyright in a work, a performer’s performance fixed in a sound recording or a sound recording that is protected by a technological protection measure to provide access to the work, performer’s performance fixed in a sound recording or sound recording to persons who are entitled to the benefit of any limitation on the application of paragraph 41.1(1)(a). (4) Any order made under subsection (3) shall remain in effect for a period of five years unless ( a) the Governor in Council makes regulations varying the term of the order; or ( b) the Board, on application, orders the renewal of the order for an additional five years.”
May 15, 2012 Failed That Bill C-11, in Clause 47, be amended by replacing line 11 on page 52 with the following: “(2) Paragraph 41.1(1)( b) does not”
May 15, 2012 Failed That Bill C-11, in Clause 47, be amended by replacing line 25 on page 51 with the following: “(2) Paragraph 41.1(1)( b) does not”
May 15, 2012 Failed That Bill C-11, in Clause 47, be amended by deleting lines 1 to 7 on page 51.
May 15, 2012 Failed That Bill C-11, in Clause 47, be amended by deleting lines 24 to 33 on page 50.
May 15, 2012 Failed That Bill C-11, in Clause 47, be amended by deleting line 37 on page 49 to line 3 on page 50.
May 15, 2012 Failed That Bill C-11, in Clause 47, be amended by deleting lines 17 to 29 on page 48.
May 15, 2012 Failed That Bill C-11, in Clause 47, be amended by deleting lines 38 to 44 on page 47.
May 15, 2012 Failed That Bill C-11, in Clause 47, be amended by adding after line 26 on page 47 the following: “(5) Paragraph (1)( a) does not apply to a qualified person who circumvents a technological protection measure on behalf of another person who is lawfully entitled to circumvent that technological protection measure. (6) Paragraphs (1)( b) and (c) do not apply to a person who provides a service to a qualified person or who manufactures, imports or provides a technology, device or component, for the purposes of enabling a qualified person to circumvent a technological protection measure in accordance with this Act. (7) A qualified person may only circumvent a technological protection measure under subsection (5) if ( a) the work or other subject-matter to which the technological protection measure is applied is not an infringing copy; and ( b) the qualified person informs the person on whose behalf the technological protection measure is circumvented that the work or other subject-matter is to be used solely for non-infringing purposes. (8) The Governor in Council may, for the purposes of this section, make regulations ( a) defining “qualified person”; ( b) prescribing the information to be recorded about any action taken under subsection (5) or (6) and the manner and form in which the information is to be kept; and ( c) prescribing the manner and form in which the conditions set out in subsection (7) are to be met.”
May 15, 2012 Failed That Bill C-11, in Clause 47, be amended by adding after line 26 on page 47 the following: “41.101 (1) No one shall apply, or cause to be applied, a technological protection measure to a work or other subject-matter that is intended to be offered for use by members of the public by sale, rental or otherwise unless the work or other subject-matter is accompanied by a clearly visible notice indicating ( a) that a technological protection measure has been applied to the work; and ( b) the capabilities, compatibilities and limitations imposed by the technological protection measure, including, where applicable, but without limitation (i) any requirement that particular software must be installed, either automatically or with the user's consent, in order to access or use the work or other subject-matter, (ii) any requirement for authentication or authorization via a network service in order to access or use the work or other subject-matter, (iii) any known incompatibility with ordinary consumer devices that would reasonably be expected to operate with the work or other subject-matter, and (iv) any limits imposed by the technological protection measure on the ability to make use of the rights granted under section 29, 29.1, 29.2, 29.21, 29.22, 29.23 or 29.24; and ( c) contact information for technical support or consumer inquiries in relation to the technological protection measure. (2) The Governor in Council may make regulations prescribing the form and content of the notice referred to in subsection (1).”
May 15, 2012 Failed That Bill C-11, in Clause 47, be amended by adding after line 26 on page 47 the following: “41.101 (1) Paragraph 41.1(1)( a) does not apply to a person who has lawful authority to care for or supervise a minor and who circumvents a technological protection measure for the purpose of protecting the minor if ( a) the copy of the work or other subject-matter with regard to which the technological protection measure is applied is not an infringing copy; and ( b) the person has lawfully obtained the work, the performer’s performance fixed in a sound recording or the sound recording that is protected by the technological protection measure. (2) Paragraphs 41.1(1)( b) and (c) do not apply to a person who provides a service to a person referred to in subsection (1) or who manufactures, imports or provides a technology, device or component, for the purposes of enabling anyone to circumvent a technological protection measure in accordance with subsection (1). (3) A person acting in the circumstances referred to in subsection (1) is not entitled to benefit from the exception under that subsection if the person does an act that constitutes an infringement of copyright or contravenes any Act of Parliament or of the legislature of a province.”
May 15, 2012 Failed That Bill C-11, in Clause 47, be amended by deleting lines 21 to 40 on page 46.
May 15, 2012 Failed That Bill C-11, in Clause 47, be amended by replacing line 25 on page 45 with the following: “measure for the purpose of an act that is an infringement of the copyright in the protected work.”
May 15, 2012 Failed That Bill C-11, in Clause 22, be amended by deleting lines 30 to 34 on page 20.
May 15, 2012 Failed That Bill C-11, in Clause 22, be amended by deleting lines 33 to 37 on page 19.
May 15, 2012 Failed That Bill C-11 be amended by deleting Clause 62.
May 15, 2012 Failed That Bill C-11 be amended by deleting Clause 49.
May 15, 2012 Failed That Bill C-11, in Clause 27, be amended by deleting line 42 on page 23 to line 3 on page 24.
May 15, 2012 Failed That Bill C-11, in Clause 27, be amended by replacing lines 23 to 29 on page 23 with the following: “paragraph (3)( a) to reproduce the lesson for non-infringing purposes.”
May 15, 2012 Failed That Bill C-11, in Clause 21, be amended by adding after line 13 on page 17 the following: “(2) The Governor in Council may make regulations defining “education” for the purposes of subsection (1).”
May 15, 2012 Failed That Bill C-11 be amended by deleting Clause 2.
May 15, 2012 Failed That Bill C-11 be amended by deleting Clause 1.
May 15, 2012 Passed That, in relation to Bill C-11, An Act to amend the Copyright Act, not more than one further sitting day shall be allotted to the consideration at report stage of the Bill and one sitting day shall be allotted to the consideration at third reading stage of the said Bill; and That, 15 minutes before the expiry of the time provided for Government Orders on the day allotted to the consideration at report stage and on the day allotted to the consideration at third reading stage of the said Bill, any proceedings before the House shall be interrupted, if required for the purpose of this Order, and in turn every question necessary for the disposal of the stage of the Bill then under consideration shall be put forthwith and successively without further debate or amendment.
Feb. 13, 2012 Passed That the Bill be now read a second time and referred to a legislative committee.
Feb. 13, 2012 Passed That this question be now put.
Feb. 8, 2012 Passed That, in relation to Bill C-11, An Act to amend the Copyright Act, not more than two further sitting days shall be allotted to the consideration at second reading stage of the Bill; and that, 15 minutes before the expiry of the time provided for Government Orders on the second day allotted to the consideration at second reading stage of the said Bill, any proceedings before the House shall be interrupted, if required for the purpose of this Order, and, in turn, every question necessary for the disposal of the said stage of the Bill shall be put forthwith and successively, without further debate or amendment.
Nov. 28, 2011 Failed That the motion be amended by deleting all the words after the word “That” and substituting the following: “the House decline to give second reading to Bill C-11, An Act to amend the Copyright Act, because it fails to: ( a) uphold the rights of consumers to choose how to enjoy the content that they purchase through overly-restrictive digital lock provisions; (b) include a clear and strict test for “fair dealing” for education purposes; and (c) provide any transitional funding to help artists adapt to the loss of revenue streams that the Bill would cause”.

Copyright Modernization ActGovernment Orders

June 15th, 2012 / 10:35 a.m.


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NDP

Charlie Angus NDP Timmins—James Bay, ON

Mr. Speaker, thank you for that.

This is the Westminster parliamentary tradition. If the member, who is brand new here, does not want to hear a word that he finds offensive, an attempt can be made to shut down this debate. The government can do it on points of order all day, but this is germane to the issue.

The issue here is that the willingness to work with the government is continually pushed back and the government has to stand on points of order to shut things down.

When we are talking about copyright, we are talking about a pattern which has been established, as we have seen in the recent bills and the attacks on the environment. If I mention the environment, I am sure that is going to set people off, but this is what we are talking about. We are talking about the government's attempt to use this House to shut down the parliamentary rights of people who have been here, who represent their regions, who came in good faith. This is the threat, which is why, when we talk about this bill, we see a government that does not understand actually how to do proper copyright legislation because it refuses to listen. Let us go through some of the amendments.

I asked the industry minister about clause 47, but he seemed to be confused. That is why I thought I would not get technical, because whenever I get technical, the government seems to be confused.

I will get technical on this. Let us talk about clause 22, which is the obligation of broadcasters on backup. That clause is tied to clause 34. The government actually created a loophole so that artists could be denied their right to be paid $28 million a year, which is what the music industry relies on. The government created a loophole. When we accused the government of creating a loophole, government members said that of course they were creating a loophole because they do not believe that the big giant radio stations should have to pay. This is their intervention in the market.

The government's idea of bounds is to take $28 million out of the hands of artists by creating a loophole. The government did not have the guts to do it face up, so it created this 30-day loophole. Then the industry said that the loophole is not fair because it would actually have to work using this loophole to deny artists.

I do not know if my hon. colleagues have had the experience of actually being in the industry, but these are agreements, rules and fees that were set by a semi-judicial body. They were adjudicated at the Copyright Board. However, the government decided that big corporate interests should not have to pay artists, so it created a loophole.

That loophole could have been fixed. I have a feeling the government will find itself in court over this. I sure hope the government is not going to try to shut down the courts next, but we do not know. However, the government will find itself in court because the testimony of government members again and again was that they felt they had to bring this in because they thought it was unfair that artists were being paid.

Let us talk about the book-burning provisions. Students have been told that after 30 days they have to destroy their online notes. One of the Conservative members said that it is not just notes, that it is videos. This was at committee. He said, “Imagine, if someone made a video”. I do not think video exists any more; that is an analog tape. The member said, “Imagine what would happen if a student had a copy of a class lesson and he gave it to his friends. What would happen?” Oh, my God, education might break out.

We have such an enormous opportunity and potential through digital education to reach all across Canada. Again, I represent the James Bay region, which is larger than Great Britain. The opportunities of digital education are amazing. What we need to work out are the copyright royalties, how we ensure that the creators who create the books and lessons and the help are paid, and then the students should be able to use it. However, the government's idea is that this somehow has to be limited.

It gets even more bizarre. Clause 29 is an attack on libraries. This is how it works in the analog paper world. If, for example, I am doing a research paper or a family history and I contact the library, the library will send me a paper copy in the mail. I have 30 days or 60 days to study it, because it takes time to go through a document. In the digital culture, the library could send a copy to me immediately. We would think that is a real benefit and a forward act, but the Conservatives said that the library is obligated to put a digital lock on it.

The Conservatives think a lock has chains and so on, but it is actually an algorithm. They said that the library is obligated to put on a digital lock and after five days the paper has to disappear, otherwise that is somehow a threat. A threat to whom? It is a threat to education, I would think, if five days is how long a person is allowed to have access, otherwise the person would be breaking the law.

The Conservatives obviously did not talk to the libraries in Canada. They talked to supposedly millions, but I think what they meant to say is that they spoke to people who have millions. They just shortened it and said that they spoke to millions. No, they spoke to the people with the millions. They did not speak to the libraries, because the libraries said that was not how to develop education. This is an issue for the small libraries.

There is a wonderful little library in my town, Cobalt, which has been voted the most historic town in Ontario. We have a little archives there. Historians want that, but the little town of Cobalt's library will be obligated to put in a computer code to prevent someone from making an extra copy of old Granny McGuire's memoirs of the early days after the fire. Oh, my God, what would happen then?

The Conservatives' idea of the marketplace is to lock up the market. They are the supposed free marketeers, but no, they will lock up the market and that will create a market.

That is not how a market is made in music and in education and in learning. A market is made by establishing the fees that are paid. In a digital age it is about the ability of people to access works. It is all around us. The Conservatives think they are like King Canute, that they will stand down and tell those digital waves to recede. It is not going to happen. We have access, a multiplicity of access.

What we need to find out are the methods of remuneration for our artists. It is no surprise that every single arts group in Quebec said the bill was a direct attack. We said we should find the common ground and fix it.

Let us continue on to the other areas where the Conservatives have completely failed, such as clause 47, in particular the WIPO provisions, and the linking of criminality to the circumvention of technological protection measures. The New Democratic Party has made it clear from the beginning that we support the ability for new business models. Whether it be on streaming of music or in the gaming industry, there is a role and a right for corporate creators to have technological protection measures that are not going to be broken so that works cannot be stolen. That is a good provision. We support that. It would make us in compliance.

Our friends over there keep talking about WIPO. We have been pushing the Conservatives to implement the WIPO treaty since the day they came into power. They did not want to touch WIPO. We kept saying that WIPO is essential and that we have to ratify WIPO because it is part of our international obligations.

The Conservatives do not seem to understand that under the WIPO treaty, it is very clear that there are exceptions where the technological protection measure is not a right in itself. It is an adjunct to a right. It enables a right. The right is the right of creators on the one hand to protect their work. The technological protection measure is an adjunct to the basic right that protects the work, but in the balance of copyright, there are other rights as well. There are the rights of people to access that work, and the right to access something that is under a technological protection measure for research and innovation. That is a reasonable goal.

The technological protection measure should not be there to interfere with research and innovation. We have a right as consumers to access a product. The Conservatives keep talking about legalization so that people know their legal certainties. The government will give us all the rights that we should have, but when we go to exercise them, it will say to talk to Sony Corporation and Sony will decide whether we have that right or not.

There cannot be a two-tiered set of rights. This is what Parliament is about. There are rights that Canadian citizens have and those rights are defined by Parliament. There are rights within the Copyright Act that go back hundreds of years. That is the balance. The creator's right is not absolute. It is not the creator's house that he or she lives in and nobody gets to come in. It is a public good. Creation is changed. People come in and they get ideas. It is not a walled garden. We accept the right of the creator to have certain rights to his or her work, but we also accept the rights of the public to access that work and create new works. That has been in the parliamentary tradition of France, Britain, the United States and Canada for hundreds of years.

The Conservatives are introducing something new, which is that these rights exist until a corporation decides that one does not have that right. By putting in the absolute protection for technological protection measures, they are saying that people have that right, but when they try to access it, they are breaking the law. If there is a computer code to stop people from doing research and innovation, they are the same as criminals.

The Conservatives somehow think that is being compliant with international treaties. It is not. The WIPO treaty is very clear. The exceptions for accessing works that exist in the analog paper world have a right to exist within the digital realm. How do we do that?

If the government were not so defensive and paranoid and sometimes just downright weird about suggestions, it would have worked with our amendments. We had a number of amendments on the linking of criminality to circumvention of technological protection measures which made it clear that university institutions that need to access work that is under technological protection measures are not breaking the law if it is being done for research and innovation. The university or the student or the person with a perceptual disability is not a criminal. They are not in the same class as the pirates.

However, the Conservatives only see a black and white world. They cannot see anything in between. As they said, “You are either with us or the child pornographers.” The government does not see any middle ground between extremes. That is not how copyright works.

That gets us back to clause 47, which I thought was not given much attention, because people with perceptual disabilities, the blind, the hard of hearing, are not a big corporate lobby. They do not get to meet with the minister. They do not have large lobby organizations. Their interests were completely ignored by the government.

All they were asking for was a very straightforward provision, that for the creation of works for the blind, and we have found that this is of particular importance within Quebec because of the much smaller book market, there is an audience for books created in Braille, but it can only be within the limited Canadian market. What about France, where there are other groups that are making their products available to the blind there? We could have that exchange. We are not trading pirated works. There is no commercial market for taking Braille. This is something that is a service.

It is the same with the issue of the breaking of a technological lock. Again, the government thinks that the lock is like a door lock that is picked. It will only allow the students with a perceptual disability to tamper with the lock. It sounds criminal. It sounds as though they are sneaking around wearing a mask and breaking in through a window.

This is about when a student is in a classroom and cannot see the board. That student should not be denied that right because someone says there is a technological protection measure, and unless that student with a perceptual disability can guarantee that he or she is going to repair the lock after damaging it, the student cannot access it.

It is a ridiculous provision within the bill. It is ridiculous. There is no way that one repairs that lock after it is broken. It is a computer algorithm. It is about extracting information.

A practical example is that my daughter was in human rights law and there were lessons she could not hear because of her deafness. We needed to access the visual works so that she could get subtitles. For the university to do that, it had to actually break the digital lock. It is a fairly straightforward thing. Then the university could create a work that the student could access. Under the human rights code, a student has the right to access it. That is a guaranteed right. That is a right recognized by Parliament, but it is a right that is being denied under this bill, because only if those students can guarantee they can somehow fix the lock, that they can somehow stuff all the information back into the CD, put the cover back on the CD, and put the CD back on the shelf, then it will be okay. It is ridiculous.

We had straightforward amendments which the government refused at every step of the way. Then the Conservatives whine and complain that they actually had to sit and debate the bill. If they had worked on those straightforward amendments, this bill would have been through the House months ago.

It is going to be like this with every single bill, unless the government starts to realize that with a little compromise and a little goodwill, we can create legislation that is in the interests of all Canadians, not just in the interests of the Conservative Party and its friends who have millions.

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June 15th, 2012 / 10:50 a.m.


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Liberal

David McGuinty Liberal Ottawa South, ON

Mr. Speaker, good morning, after a long and difficult 48 hours here in the House.

I would like to pick up on some of the comments my colleague made, first of all to suggest that the Liberal Party is interested in efforts to modernize and update our Copyright Act in a fair and balanced manner. We are also deeply concerned about the digital lock provisions in this legislation.

I will ask my colleague the question this way, and I know he is capable of giving a good, fair and objective answer. This really deals with the question of recent disclosures of diplomatic cables from the United States showing that the Conservative copyright plan appears to have been drafted very much to satisfy industry concerns in the United States. I know we will not get into a U.S.-type bashing commentary. We do not need that. We have good friends and neighbours in the United States who have their own interests.

However, perhaps in the interests of Canadians watching or following this debate, can the member help us understand where the differences lie between the Canadian and the American interests in this regard? Can he give us some insight, because he is so close to the file, as to why the Conservative Party would allow itself to be perhaps influenced too greatly by American interests as opposed to Canadian interests?

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June 15th, 2012 / 10:50 a.m.


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NDP

Charlie Angus NDP Timmins—James Bay, ON

Mr. Speaker, that is an excellent question because, of course, the United States is our biggest trading partner. There is a huge corporate lobby in the United States because of the immense power of the entertainment industry, and I love American culture as much as anybody. The problem is that the American digital millennium copyright act has targeted citizens and attempted to use legislation to shut down any form of cultural development in many areas.

It is important to raise here the issue of the diplomatic cables that have been released. We hear the Conservatives talking about the bad guys and the pirates, and we, in our caucus, strongly believe in being able to take the fight to piracy because it is damaging. However, the image that one of our Conservative members claimed, of Canada being a pirate haven as though it were Yemen or North Korea, comes from the diplomatic cables of the former industry minister, the famous Muskoka minister, who, when staff were meeting in Washington, said to put us on the piracy watch list because it would help us.

Imagine a government whose idea of trade is to have this made up and have Canada treated as an international outlaw in order to help the government pass its legislation. It is an outrageous attack on our reputation.

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June 15th, 2012 / 10:50 a.m.


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NDP

Paul Dewar NDP Ottawa Centre, ON

Mr. Speaker, I thank my colleague for his precise overview of this bill and the clear, progressive, smart ideas and propositions to change it. We just went through a couple of days of putting forward propositions that the Conservative government turned down, so it is no surprise when it turns them down.

The member just touched on something that is important for Canadians to know, because we have debated the issue for a long time. It is the notion that somehow Canada is on the wrong side of the tracks, that we are a haven for piracy, and that if we do not do this right away, we are going to threaten the whole industry and Canada will be be on a pirate list forever, I guess, with the Conservative government.

Can the member help us understand why the government insists that this is just an issue about piracy when it is actually an issue that is much more detailed and nuanced? Why does the member think the Conservatives reject our propositions and only want to look at this in a black and white frame?

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June 15th, 2012 / 10:55 a.m.


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NDP

Charlie Angus NDP Timmins—James Bay, ON

Mr. Speaker, the Conservatives are suddenly interested in the international community when it comes to depriving artists of getting paid. They say that otherwise we would be international outcasts. Of course, they trash the Kyoto accord or stand up in this House, talk about the crisis in Europe and ridicule what they call failed European welfare states at a time when the eurozone is in need of international solidarity of some sort.

The Conservatives create a false dichotomy that their idea is to re-establish Canada's international reputation. Canada's international reputation has been created through the arts. Our international artists bring in more than the oil, gas and mining sectors will bring in, yet the arts are not treated with the same level of importance.

The fundamental base of copyright is the trade that is established through the Copyright Board, the right of authors in French or in English to be paid for their work. The Conservatives have decided that authors being paid for our right to make a copy is somehow a tax on the consumer. By taking away that market for artists, they are destroying what is one of the greatest entertainment industries in the world.

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June 15th, 2012 / 10:55 a.m.


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NDP

Jean Rousseau NDP Compton—Stanstead, QC

Mr. Speaker, I congratulate the member for Timmins—James Bay for his excellent speech. My colleague has been working in the industry for many years. He spoke with a number of stakeholders about what would be acceptable for the industry.

One of the points raised by my colleague and the Minister of Industry has to do with the scope of online piracy, but there is another type of piracy that is quite extensive, and that is copying or counterfeiting. When I was younger and played around with a small, independent production group, we would make one or two copies on tape to give to our friends, so they could discover new artists. Now, this is being done on a much larger scale. Hundreds and thousands of copies are being made of both major artists and up-and-coming artists.

Nothing in the current bill prevents small business owners from illegally copying artists' products and works.

What does my colleague think about that?

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June 15th, 2012 / 10:55 a.m.


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NDP

Charlie Angus NDP Timmins—James Bay, ON

Mr. Speaker, that is an excellent question. Certainly, piracy is undermining the rights of artists. However, we are in a world where there is the potential to make millions of copies and artists are not paid for any of it.

We have said again and again, rather than creating this war between the consumer and the creator, and people make copies because they love the music of their artists, we need to find the remuneration systems that would actually ensure people are paid. It can be done. That is forward-looking copyright. The government has backward-looking copyright.

The House resumed consideration of the motion that Bill C-11, An Act to amend the Copyright Act, be read the third time and passed.

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June 15th, 2012 / 12:30 p.m.


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Liberal

Rodger Cuzner Liberal Cape Breton—Canso, NS

Madam Speaker, discussions have taken place among the whips. I think if you seek it you will find unanimous consent of the House for me to split my time with my friend and colleague, the member for Ottawa South.

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June 15th, 2012 / 12:30 p.m.


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The Deputy Speaker Denise Savoie

Does the member have unanimous consent?

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June 15th, 2012 / 12:30 p.m.


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Some hon. members

Agreed.

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June 15th, 2012 / 12:30 p.m.


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Liberal

Rodger Cuzner Liberal Cape Breton—Canso, NS

Madam Speaker, I am pleased that my colleague and friend from Halifax West asked me to stand and speak. He serves as the industry critic and is certainly much more involved in this topic and piece of legislation than I am, but I have been able to form an opinion after following the debate, after having an opportunity to speak with a number of persons whose lives and livelihoods are impacted by the passing of this legislation, and after having read some of the testimony given in committee hearings. I am very comfortable with my party's position on this particular piece of legislation.

This is not the first time we have seen this type of legislation. For the most part, Bill C-11 is a carbon copy of what we saw in the previous Parliament, which was Bill C-32. The Canadian economy is in the midst of a transition to a digital economy. We know that cultural institutions are going to be impacted through this transition. The music, cinema and education sectors are going to be profoundly impacted by this piece of legislation.

From what I have been able to read through the development of the legislation and the testimony in committee, there is some support for the legislation. There are some solid principles in the legislation and the direction of the legislation was embraced by the vast majority, but there are a number of specific aspects of this bill that are very contentious and are going to pose harm to a great number of Canadians. Amendments that were brought forward that seemed to be logical and reasonable were totally dismissed, and I am going to talk about that a little later on.

We know that things have changed. Let me take the music sector, as an example, and talk about how that has changed over the last number of years. My caucus colleagues and I would have grown up in an era in which our first experience with music probably would have on vinyl. I do not think it would have gone back to the time of 78s, but certainly 45s and long-playing albums.

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June 15th, 2012 / 12:30 p.m.


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Conservative

Chris Alexander Conservative Ajax—Pickering, ON

Yours was vaudeville.

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June 15th, 2012 / 12:30 p.m.


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Liberal

Rodger Cuzner Liberal Cape Breton—Canso, NS

I am being heckled that mine was vaudeville. That is a good heckle, but it is not true.

At that juncture, artists would go into a studio, record an album and receive benefits from the sale of that album. Regardless of the format, that template had been set and pretty much followed through the age of cassette players and CDs. There was a revenue stream realized by the creators of the music. They would go out on tour, and their concerts were opportunities to promote the music and hopefully sell some of their product at merchandise tables afterward or hope that people would be motivated to buy their music in various stores.

At one time there was a great Canadian institution like Sam the Record Man and today we have seen the downscale of HMV. Many independent record stores have closed their doors because the industry has changed so much. There were companies that invested in artists over the years. Sony Music used to have branches in the country. It would work with and invest in up-and-coming artists so they could hone their skills and bring their music to a broader audience. There is no longer that type of investment, because the industry has changed so much.

I have a young fellow who is fairly musically inclined. He is studying music at Mount Allison University in Sackville, New Brunswick, but he also plays in a little rock band, Back Pocket Material.

Number one, a person can go into a studio now, and the digital technology is there. A group can go to a friend's house and record absolutely excellent-quality sound. At one time, only professionals could create that kind of sound, but with the digital technology now, it is really at everybody's disposal.

Rather than laying down tracks and creating an album, the band wants to get music recorded so they can put it on the Internet and get it into the hands of potential fans so that they can hear the music and get it for nothing. Hopefully, if fans get it for nothing, they'll get excited about the band's music and will come out to the shows and pay admission. That will continue to come back to the band; the band will continue to grow and improve, and hopefully it will pursue a career in music. However, it is just a completely different approach to developing this craft than we would have seen even 10 years ago, and certainly 15 years ago.

As I said, there has been some contrary opinion. Just reading through the testimony from committee, we have seen contrary opinion being shared by a host of individuals and groups. The Canadian Research Chair, Michael Geist; the Retail Council of Canada; the Canadian Council of Archives; and the Documentary Organization of Canada strongly oppose this legislation.

The main aspect of the legislation is the digital locks provisions. They find it overly restrictive. They believe that similar restrictions that have been placed in the United States have proved detrimental to the development of artists, so they are very concerned about that. The critics would have liked some amendments brought forward.

On the other side of that, large business groups, the Canadian Chamber of Commerce, the Entertainment Software Association of Canada, and the Canadian Council of Chief Executives have expressed support for the bill, which doesn't surprise me. We have seen a tendency on the part of the government that when the Canadian Chamber of Commerce sort of barks, then these Conservatives tend to jump, whether that is on the skills development agenda, EI reform, or whatever it might be, and that seems to be the path the government follows.

Still, big players in the industry: Google, Bell and Rogers have all expressed support for the bill, in principle, but again, concerns around the digital provisions and the digital lock-out provisions.

Really, with the digital lock-out provisions, there is potential to make criminals out of ordinary Canadians. If a mom buys a DVD and has a movie for the kids, and she wants to put that on her iPad or she wants to put that on her computer and play it in the van, and many of the new vans are now equipped with that type of technology, she compromises herself and puts herself at risk for being charged for making a copy of that. Taking any kind of recording and having it burned onto a CD, after paying for the music, but just taking it and putting it in a different format now places an individual at risk of being charged criminally.

There was a chance to step back from those measures. Amendments were put forward at committee that would have averted that, but those amendments were totally disregarded.

I should not be surprised. I have been here long enough now and nothing about this should surprise me. The fact is that we were here for 23 hours, voting on amendments to a 450-page budget bill, a bill that impacted on the environment, on fisheries and oceans, on natural resources, and on many different sectors with changes in 70 different pieces of legislation, which went through. Not as much as a comma changed during the course of that debate. There were 800 amendments put forward. They were grouped into 150-odd groups for voting purposes, but there were 800 amendments and the government found none of them worthy.

When the government brought forward the omnibus bill on crime, my colleague from Mount Royal put forward a number of amendments in particular areas. There was one aspect of the bill that he was in total support of, and he offered the amendments only to enhance and improve that aspect of the legislation. They were totally dismissed by the government.

When the bill came back here for report stage, we know that the Minister of Justice tried to enter those exact same amendments at report stage and was ruled out of order by the Speaker. We know that when the bill went to the Senate, those amendments were put in at the Senate. Those changes were made, I believe, because they were in contravention of the charter. They did improve the legislation.

Therefore, the government used the back door. It used the Senate—

Copyright Modernization ActGovernment Orders

June 15th, 2012 / 12:40 p.m.


See context

The Deputy Speaker Denise Savoie

Perhaps the hon. member can wind up through questions and comments.

Questions and comments, the hon. member for Cariboo—Prince George.