Thank you, Mr. Chair.
Thank you very much for coming today. I really appreciate your testimony.
To follow up a bit on what Mr. Simms was saying, in terms of a nimble program, I'll bet the money the Canada Council invested for the Aboriginal Arts Secretariat.... I'm sure I know a number of the groups that have taken some of that money, especially the carvers in Cape Dorset. I bet their return on investment is higher than anything you've got under your wings.
But I'm going to move on to a couple of questions in relation to the origin of Trade Routes, because looking back to the formation of the program, I think it was roughly in 2001, at the time there was of course the existing program in the Department of Foreign Affairs, PromArt, that was operational not only in Canada but throughout the world.
Was there a degree of consultation between the departments at that time? Or was a demand being expressed by the artists? Can you give some testimony about the origin of the program?