Speaking as a music publisher, I would say the music publishers actually have one of the most creator-friendly remuneration models there are. There are several types of deals that we do, but for the typical publishing, which you may have heard of from the Canadian Music Publishers Association, there is generally a fifty-fifty rule that you split. That has become a bit of a convention. We refer to it as a writer's share and a publisher's share, and SOCAN is certainly very familiar with this concept. The performing rights societies are a big part of how that convention was established as it's codified in their distribution rules.
On a typical co-publishing agreement, where we invest in a songwriter and we acquire a share but not all of the copyright ownership, the typical co-publishing split there is about 75:25 in favour of the creator.