Thank you very much, Mr. Chair.
Good afternoon, committee members. I greatly appreciate this opportunity to discuss Bill C-49 and the proposed establishment of the Canadian Museum of History.
I believe the proposed changes will strengthen our institution and greatly enhance its contribution to the public life of this country in some very significant and constructive ways.
At the outset, however, I would like to talk about some of the things that won't change, and that have been the subject of some debate and discussion in the media and elsewhere.
First, the proposed Canadian Museum of History would continue to present outstanding temporary exhibitions that illuminate world history and cultures. They will remain part of our mandate and an important part of our programming.
In fact, we are currently working with our colleagues in Greece on the production of a major exhibition about that country's ancient history. This exhibition, “From Agamemnon to Alexander the Great”, will feature over 500 exceptional artifacts and will be launched at the Royal Ontario Museum, our partner next year, and will travel to Ottawa, Chicago, and then Washington.
Second, we will maintain the ever popular Canadian Children's Museum.
Third, our First Peoples Hall and Grand Hall will continue to explore the historical achievements and contemporary contributions of Canada's aboriginal peoples. They are the finest exhibitions of their kind in Canada and so they shall remain as integral parts of the new museum should the legislation be passed into law.
Finally, we will continue building our national collection, and undertaking scholarly and other types of research, despite claims from some to the contrary. In fact, our national collection fund now totals $9 million and in consultation with academics across the country, the corporation has developed a research strategy, the first in the museum's history. This strategy will guide the work of the museum in its research activities over the next 10 years.
I would like to turn now to the engagement process we used to solicit public input.
It began last October. We engaged with Canadians across the country and invited them to think about their history and how it should be told in their Canadian Museum of History.
We set up an interactive website and designed an online survey. We organized roundtable discussions in nine cities from St. John's to Vancouver. We set up an interactive kiosk in public places across the country. We held meetings with school students and other groups. And we had questions placed on an independent opinion survey. Over 24,000 people became directly engaged in the project, either in person or online.
The results are detailed in a report that will be released shortly, but I am very happy to share with you, the members of this committee, some of what we have heard from Canadians.
Canadians told us that visiting museums and historic sites, and encountering real artifacts are by far their favourite ways of connecting with history. Many stress the unique role that museums play in educating children and youth, and in providing shared learning opportunities for family and friends.
Canadians have said that they trust museums more than any other source of historical information and that they value museums for the way they allow them to interact with each other and their common history.
Yet, Mr. Chair, we've never had a museum that tells the pan-Canadian story from earliest time to present day. The Museum of Civilization has indeed been trying to fill that void and has been doing so despite a very different legislative mandate. Its central purpose, as described in the Museums Act, is to enhance understanding of cultural achievements and human behaviour—not Canadian history and identity.
Nevertheless, since at least 2005 and on the heels of the overwhelming success of our sister institution, the Canadian War Museum, the museum has been working to broaden and deepen its focus on Canadian history. It has been trying to do a better job of telling the story of this country and its people from the pan-Canadian perspective. It has been working to share that story with as many Canadians as possible.
Currently, the museum is a key centre for historical research and scholarship through its artifacts, exhibitions, and its other programming. The museum explores many aspects of our country's past and disseminates the results of that research in many forms across the country, such as print publications and other forms of research. All of this will continue under the new mandate.
The museum’s work and achievements are impressive. But it has serious shortcomings, which are most evident in our largest permanent gallery, the Canada Hall.
The Canada Hall was not designed to be a narrative history exhibition. Inspired to some extent by the success of the streetscape of the Epcot Center in Florida, the museum staff designed the hall to offer a vision of Canada's social and economic history that moved temporally and geographically from 1000 A.D. in the Atlantic provinces to the present day in British Columbia and the Northwest Territories.
While that approach makes for an interesting and informative visit, it can't help but produce a disjointed and narrow picture of our country's dynamic past. In the Canada Hall, the regions of the country presented are frozen in time and exist entirely independently. Whole categories of endeavour—politics, sport, culture, our contributions to the world—are poorly covered or not covered at all. Women's history is at best peripheral. The journey through time ends in the 1970s, so almost half a century of our history is left unexplored.
As a result of this, while walking through Canada Hall you will learn about life in New France, but you'll find no mention of the Quiet Revolution or anything else about Quebec. You'll learn about the early whaling industry in Newfoundland, but nothing about why, how, or when the colony joined Confederation. You'll see re-creations of grain elevators and oil rigs, but you won't learn about the phenomenon called western alienation.
Although modules on the rebellions in Upper and Lower Canada have been added very recently, Confederation itself is reduced to a multimedia timeline. You'll find no mention in Canada Hall of the flag debate or the Constitution, no mention of Paul Henderson's goal in Moscow, or the wartime internment of Ukrainian or Japanese Canadians. You'll find no reference to residential schools or peacekeeping, or Terry Fox and his Marathon of Hope. There is no meaningful reference to the Great Depression, the conscription crisis, or even a hint as to where Canada might be headed. But perhaps the most egregious flaw in the Canada Hall is its starting point. If you've been there, you will know that its telling of our national story begins not with the arrival of the First Peoples but with the arrival of Europeans in the eleventh century. Colonization as a term or concept is not mentioned in Canada Hall.
This is something we intend to correct. Canadians made it very clear to us during the public engagement process that the voices and the experiences of First Peoples must have a place in any narrative of Canadian history. We want to focus more of our attention on the telling of Canada's story in all its richness and complexity. And we believe the task is best accomplished under a new mandate and a new name—a name that better reflects what we aspire to become.
Here is the vision we have for the new Canadian Museum of History.
It will feature the largest and most comprehensive exhibition on Canadian history ever developed. The new permanent gallery will replace both the Canada Hall and the Canadian Personalities Hall. It will be a place where Canadians can go to retrace their national journey and encounter their national treasures. It's where they can go to learn about the people, events, and themes that shaped our country's development and defined the Canadian experience. It will underpin our national identity. It will include seminal events and episodes from our past, and some of the greatest Canadian stories never told.
We are also establishing a network of history museums across the country. Members of this network will have a permanent gallery devoted to the presentation of their exhibitions. Those exhibitions will complement and enhance our national narrative by adding regional content and perspectives. The new gallery will also broaden the reach and the profile of the contributing institutions, and members of this network will have better access to the national collection to enhance their own work.
During the public engagement process, Canadians told us what they expect of those exhibitions and the museum in general, especially the new Canadian history hall. Here are some highlights.
Canadians want us to be comprehensive, frank, and fair in our presentation of their history. They want us to examine both the good and the bad from our past. We were urged to foster a sense of national pride without ignoring our failings, mistakes, and controversies. Canadians want us to present various viewpoints and voices, recognizing that people and events can be interpreted in different ways when seen through different eyes. They want us to connect with them on a personal level. They want to see themselves and their neighbours reflected in the museum—whatever their heritage, whenever they joined the Canadian family, and wherever in this country they live. They have told us quite clearly not to ignore the world beyond our borders.
Those comments, suggestions, and pleadings will inform our every decision going forward. The content for this new exhibition is being developed by a multidisciplinary team of experts at the museum, led by Dr. David Morrison. This team is made up of researchers, curators, and museologists working in close collaboration with advisory committees composed of historians and experts from across Canada.
Creating a new gallery is going to be a major challenge. Our experts will first have to develop a comprehensive and cohesive storyline, which they have begun to do. They will have to identify the themes, events, and artifacts that merit inclusion in the gallery. They'll have to make some difficult choices and grapple with some very contentious issues, and they'll have to do it all in full knowledge that their every decision will be scrutinized by scholars, lay people, advocacy groups, the media, and politicians from coast to coast to coast. But our professional staff are the best in the country at what they do, and they're certainly up to the challenge.
Mr. Chair, the call for a national history museum is hardly recent. Over 60 years ago, the Royal Commission on National Development in the Arts, Letters and Sciences stated in its final report, “On the necessity for an historical museum, we can hardly speak too strongly.” In 2003, the Government of Canada announced a $50-million plan to convert the Government Conference Centre in Ottawa into the Canadian History Centre.
Mr. Chair, should Bill C-49 be passed into law, the corporation will create a museum worthy of Canadians' support and deserving of their pride.
Thank you. I look forward to your questions.
I would be happy to answer them.
